The stability of comparisons, combined with the synchronization of lighting between paint and subject, enables a fundamentally new way of working — one that differs from the traditional approach based on approximate color relationships.The tool provides a high level of color accuracy, turning the process of color selection into a controlled, repeatable task — free from subjective error.
This makes the tool ideally suited for painting education, as it allows students to clearly observe how color changes during mixing, and to practice accurate color matching in a hands-on, visual way.
Its main advantage in early training is that it transforms color selection from an intuitive and often error-prone process into a conscious, structured, and interactive activity.
The shift from a childlike, instinctive sense of color to an informed, deliberate understanding is a crucial step in an artist’s development.
The direct comparison
method — and this tool — help beginning painters move beyond vague assumptions and teach them to see color as it truly is.
Working with the direct comparison method is not just a technical exercise — it is a path toward deep understanding of the true nature of color.
The painter who uses this method regularly gradually becomes free from the illusions of perception.
Each direct comparison is a small lesson in seeing color objectively.
This skill becomes embedded in memory, building a rich, realistic internal palette.
Over time, the painter develops an intuitive feel for what real color should look like — even without directly comparing it to the subject.
This process is much like learning to play music.
At first, the student learns to play from sheet music — but through repetition and practice, they begin to play by ear, and eventually to improvise.
In the same way, a painter who has mastered the method of direct comparison gains a solid foundation upon which to build realistic and expressive work.