The disc palette can be used for all described painting scenarios in three main modes:
- Accurate replication of the colors observed in nature
- Selective interpretation — enhancing or muting certain hues
- Complete artistic transformation — creating an original color scheme
More about these approaches can be found in the article The Method of Direct Comparison and in various videos on my
YouTube.
One of the key advantages of the direct comparison method is that it allows the artist not only to match color precisely, but also to transform it creatively — making color decisions more conscious and artistic.
When using a traditional palette, it’s often difficult to evaluate a color’s effectiveness. The paint is perceived in isolation — affected by simultaneous contrast, color constancy, and other cognitive distortions (more on this in The Method of Direct Comparison). This creates uncertainty: it’s hard to know how the paint will look on the canvas and whether it will fit into the painting.
The first brushstrokes don’t make things clearer either — surrounded by the white canvas, colors appear separate and ambiguous, especially for an inexperienced painter.
As a result, the brain tends to choose the safe route — simply repeating the colors of nature or of a reference photo exactly as they appear, without interpretation or feeling. It’s easier, and feels safer.
Direct comparison removes that uncertainty. Even a beginner can immediately sense how to “nudge” a color to make it more expressive — to brighten it so it resonates more, or to mute it to let something else take the lead. That hesitation disappears, and the painting process becomes alive, conscious, and intuitive.